Neo Frontier Cinema: Rewriting the Frontier Narrative from the Margins in Meek’s Cutoff (Kelly Reichardt, 2010), Songs My Brother Taught Me (Chloe Zhao, 2015) and The Rider (Chloe Zhao, 2017)

Hervé Mayer

doi:10.4000/miranda.16672

Journal articles

Neo Frontier Cinema: Rewriting the Frontier Narrative from the Margins in Meek’s Cutoff (Kelly Reichardt, 2010), Songs My Brother Taught Me (Chloe Zhao, 2015) and The Rider (Chloe Zhao, 2017)

Hervé Mayer ^{1, 2}

1 UPVM - Université Paul-Valéry - Montpellier 3

2 EMMA - Etudes montpelliéraines du monde anglophone

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Journal articles

Domain :

Humanities and Social Sciences / Art and art history

Humanities and Social Sciences

Humanities and Social Sciences / Gender studies

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https://hal-univ-montpellier3-paul-valery.archives-ouvertes.fr/hal-03129199
Contributor : Hervé Mayer <>
Submitted on : Tuesday, February 2, 2021 - 5:25:05 PM
Last modification on : Wednesday, February 10, 2021 - 8:12:01 PM

Neo Frontier Cinema: Rewriting the Frontier Narrative from the Margins in Meek’s Cutoff (Kelly Reichardt, 2010), Songs My Brother Taught Me (Chloe Zhao, 2015) and The Rider (Chloe Zhao, 2017)

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Neo Frontier Cinema: Rewriting the Frontier Narrative from the Margins in Meek’s Cutoff (Kelly Reichardt, 2010), Songs My Brother Taught Me (Chloe Zhao, 2015) and The Rider (Chloe Zhao, 2017)

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